Author: William Todd
Narrator: Ben Werling
Length: 5 hours 35 minutes
Publisher: William Todd⎮2018
Release date: Nov. 14, 2018
Ross is the team leader of a university archeology dig tasked with retrieving the debris from a meteorite crash in western Ohio. He is quite anxious to get his find back to the university for study and is willing to pay Jericho double the fare for his team and cargo for a straight shot across Lake Erie from Toledo, Ohio to Buffalo, NY. Jericho becomes suspicious when Ross refuses to divulge the contents of his cargo and the haste in which he wants to cross. Desperately needing money, Jericho reluctantly agrees when Ross finally offers him triple the fare; he will take him and his cargo on the nonstop 14-hour trek across the lake.
But what few people on the ship know is what was initially thought to be a meteorite crash turned out to be an alien craft. The crates in the cargo area hold the remains of the ship. And what no one knows, not even the university team, is that something in those crates is still alive.
Now, in a growing storm, alone in the middle of the lake, people are turning up dead. Who will survive the crossing when something wicked this way comes?
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I have been writing online since the early 2000’s, primarily writing horror stories in the style of Poe and Lovecraft. I was the 2nd most popular author on the website storiesbyemail.com for two years before moving on. I had my first book, a Victorian era horror compilation called Bumps in the Night, published by Mystic Moon Press just a week before they closed their website and never saw my hard work pay off. Afterwards I took publishing into my own hands, became an Indie author and haven’t looked back. My first self-published book was Dead of Night, another compilation of Victorian horror stories, published September 2016 by Createspace and on Kindle by KDP. After its publication I left my comfort zone for mystery and wrote a short story about Sherlock Holmes in the Conan Doyle style. I loved it so much I then did a longer story A Reflection of Evil, both published in 2017 through Createspace and KDP. I have just release Beyond the Gossamer Veil, another compilation of both Victorian and modern supernatural/horror stories and am in the beginning stages of my third Sherlock Holmes installment.
Answer: I never used to even think about how a book would sound as an audiobook...until I finally had one done. Now, I do. The story is most important, whether read or heard. A bad story is a bad story. But I am more cognizant now when I write with how a phrase might sound read aloud. I think my audiobooks now are much easier on the ear then my first ones because of that. And my narrator, Ben Werling, I’ve used on every story. He’s great and has a wide vocal range. He makes turning a book into audio so much easier on me. I think we’re a good team. I basically give him my manuscript with some simple directions as to accents, maybe weird words that might pop up, since I write typically late Victorian era material, and he does the rest. He does a chapter at a time and sends them to me to okay. We rarely have to redo anything. I am truly lucky because the process, at least for me, is very simple with Ben at the helm.
Was a possible audiobook recording something you were conscious of while writing? Answer: Because audiobooks are so prevalent and getting more and more popular by the day, I think you have to be conscious of it becoming an audiobook while writing, especially if you plan on using that format. And I think an author is selling himself short if he doesn’t at least consider putting his creations on audiobook. It is another channel to garner readers and followers...and revenue.
How did you select your narrator?
I put up three pages of my book for narrators to “audition”. I listen to each audition and pick the best one. But because Ben and I have such a good working relationship, ultimately, he gets my jobs. It is not only because he is such a good narrator. I write Sherlock Holmes and gothic horror. At least for the Holmes stories, I prefer having the same Holmes and Watson in each of my stories. Ben has been hands down the best Holmes and Watson I have found so why would I switch? I don’t think my readers would like that, and I know they would hear the difference.
Are you an audiobook listener? What about the audiobook format appeals to you? Answer: I am. Until I land on the best-sellers list or get a movie deal, I have a job to pay bills and raise my family. I drive 45 minutes one way. Sometimes, that hour and a half is the only time I have to myself, and the perfect way to spend that time is listening to audiobooks. There are just times in this hustle and bustle life where cracking open a paperback is not possible. But your ears are always available to listen.
Ben is an award winning actor and voice over professional, who has performed all across the United States. From Shakespeare to Neil Simon, he has displayed a versatility and diversity in the characters and dialects he has portrayed. Ben received the Joseph Jefferson Award for Leading Actor as abusive talk show host Barry Champlain in Eric Bogosian's TALK RADIO, and was nominated for Best Supporting Actor as Prosecutor Villeforte in Alexander Dumas' THE COUNT OF MONTE CRISTO, also in Chicago. He has worked with an extensive list of theaters in Chicago over the last three decades: Steppenwolf, Bailiwick, Famous Door, Next, A Red Orchid, Raven Theater, First Folio, Writer's Theater, Buffalo Theater Ensemble, as well as Utah Shakespeare Festival, Illinois Shakespeare Festival, Indiana Repertory, Madison Repertory, and Allenberry Playhouse in Boiling Springs, Pennsylvania. He is an Ensemble member of Shattered Globe Theater in Chicago. For almost a decade he was the voice of the Adler Planetarium, hosting live shows and pointing out the stars, planets and constellations on the big dome. Ben has an eponymous weekly vlog on YouTube, that he films, produces, edits and narrates. He lives in Chicago with his wife Amy, two dogs and three cats.